Featured Home MOVE Archives - Page 5 of 6

REVIEW: ‘Ibelin’ affirms the importance of online relationships

Bishop Lamm • March 3, 2024

“Ibelin,” directed by Benjamin Ree, is a Norwegian film about the life of Mats Steen, a gamer with a degenerative muscular disease.

REVIEW: ‘Daughters’ is a rollercoaster of emotions that is nothing but revolutionary

Emily Skidmore • March 3, 2024

Men in freshly pressed, semi-formal attire sit shoulder to shoulder, waiting patiently against a concrete prison wall.

REVIEW: Essay film ‘sr’ tracks careless human behavior through a peaceful animal species

Dylan Barbee • March 3, 2024

The ancient Egyptians called a long-neck, golden furred animal “sr” within the drawings and hieroglyphs that were scattered across caves in the Sahara Desert.

REVIEW: ‘As the Tide Comes In:’ Impotence in the face of catastrophe

Sterling Sewell • March 2, 2024

Mandø is an island off the coast of Denmark — population 28.

REVIEW: ‘23 Mile’ explores the political climate in a state that can’t agree

Emma Zawacki • March 2, 2024

While “23 Mile,” directed by Mitch McCabe, focuses on the east side of Michigan, my 16-year-old self was living through the same discourse on the western side of the state.

Global conflict and individual perspective intertwine at upcoming True/False Film Fest

Boo May and Aurora Nicol • February 29, 2024

It's no secret that conflict drives the media we consume.

REVIEW: ‘The Zone of Interest’ presents the horrors of Auschwitz from behind its walls

Ava McCluer • February 21, 2024

Do not be fooled by the label of historical drama; “The Zone of Interest” is undoubtedly a horror movie.

Activist Joyce Ladner reflects on years of advocacy and combatants

Faith Jacoby • February 21, 2024

On Jan. 24, the MU Division of Inclusion, Diversity and Equity hosted their annual Martin Luther King Jr. celebration in the Reynolds Alumni Center.

REVIEW: Revisiting Graceland

Aurora Nicol & Faith Jacoby • February 16, 2024

After the release of the 2022 Warner Bros. film “Elvis,” starring Austin Butler as Elvis Presley, nicknamed “The King of Rock-and-Roll,” the adoration and criticism of one of America’s most influential figures of the 20th century has followed close behind.