‘The Substance’ is a horror film and, therefore, will never win Best Picture

Suzie Thomson, MOVE Reporter • March 2, 2025

Best Picture is the biggest category for the Oscars, but many horror films are left out of the discussion

REVIEW: ‘John Lilly and the Earth Coincidence Control Office’ is a 90-minute puff piece

Boo May • March 2, 2025

The film dives into the life of a controversial figure without any attempt to balance perspectives

REVIEW: ‘The Undergrowth’ is a complex portrayal of three elderly sisters’ bond

Micah Shulman • March 2, 2025

Debut director Macu Machín follows the sisters in the Canary Islands as they divide their inheritance

REVIEW: ‘The Track’ depicts Olympic dreams amid uncertain futures

Isabel Brauhn, MOVE Reporter & Graphic Designer • March 2, 2025

The documentary highlighted the daily struggles of three boys living in post-war Sarajevo while pursuing the sport they love

REVIEW: ‘The Wolves Always Come at Night’ grapples with themes of loss and change

Eric Hughes, News Editor • March 2, 2025

Gabrielle Brady’s “The Wolves Always Come at Night” follows a couple and their four children as they are uprooted from their home in the desert and experience change

REVIEW: ‘How Deep is Your Love’ explores the whimsy, wonder and complications of the deep-sea world

Sarah Woods • March 1, 2025

Directed by Eleanor Mortimer, this visually rich film urges humanity to explore their relationship with the aquatic unknown

REVIEW: ‘How to Build a Library:’ A story of perseverance, memory and friendship

Ava Mohror, Copy Chief • March 1, 2025

Directors Maia Lekow and Chrisopher King tell the enthralling story of two best friends rebuilding a library with the goal of reclaiming their nation’s history

REVIEW: ‘WTO/99’ reminds us of the power of solidarity in protest

Ava McCluer, MOVE Digital Editor • March 1, 2025

This archival footage documentary covers the three-day effort protesting free trade and the World Trade Conference in Seattle

REVIEW: ‘Middletown’ is an homage to environmental advocacy and student journalism

Sydney Rohrberg • March 1, 2025

The film highlights the strengths of student journalists in the face of corruption and the work it takes to improve the environment

‘Resurrection’: How Hu Sanshou uncovered the lives of his hometown’s past and future

Alex Cook • March 1, 2025

The True/False Film Fest 2025 True Vision Award Winner Hu Sanshou premiered his new documentary film on Friday

REVIEW: ‘Land With No Rider,’ filled with artistry and affection, premieres at True/False Film Fest

Amelia Schaefer • March 1, 2025

Director Tamar Lando’s “Land With No Rider” speaks volumes through shots of vast landscapes and character studies of old ranchers

REVIEW: ‘Light Memories’ explores a photographer’s discovery of who his grandfather was

Suzie Thomson, MOVE Reporter • February 28, 2025

Through the lens of his grandfather’s camera, Misha Vallejo Prut explores a side of his family he’s never known