October 13, 2021

By Kylie Mesmer

Graphic by Gabriella Lacey

Warning: This film contains depictions and references to domestic abuse, pregnancy loss, sexual assault and graphic violence. 

Audiences turned to the silver screen for well over 100 years, terrified by filmmakers’ twisted creations all over the world. With thousands of scary movies out there, it’s easy to produce a dozen remakes of the same film. That’s not the case with “Malignant,” a seemingly cookie-cutter horror movie from James Wan that unveils itself to be a menacing new side of the horror genre. “Malignant” is flinchingly gory and full of twists that will keep its audience on their toes till the very end. 

“Malignant” is the latest film from renowned horror director and producer James Wan. Wan’s previous spooky directing gigs include “Saw,” “Insidious” and “The Conjuring.” “Malignant” is also Wan’s second collaboration with Annabelle Wallis, the female lead in “Annabelle,” which Wan produced. Additionally, Wan wrote the story behind “Malignant” alongside cast member Ingrid Bisu and producer Akela Cooper.

“Malignant” follows Madison (Wallis), who is plagued by horrific visions of brutal murders. Her situation becomes even more terrifying when she learns that the murders aren’t just visions, but a reality.

The film begins in the ‘90s at a psychiatric institute for disturbed patients. From the start, “Malignant” introduces itself with a premise much different than what is described in the synopsis. The film uncovers itself to be a complex, ever-changing story throughout its nearly two-hour length. 

The film strays more towards Wan’s “Saw” and “Insidious” franchises, rather than “The Conjuring.” Wan’s directing style in “Malignant” is modern and sleek, and unlike his other previous horror films. The numerous references to horror masterpieces, like “Poltergeist” (1982) and “The Shining” are a fun addition for horror fanatics. It also makes sense for a movie that will most likely revolutionize the horror genre to pay homage to its iconic predecessors. 

“Malignant” and its storyline are unique, and delve into realms usually avoided or executed poorly by the horror industry. The film places a spotlight on the dark powers of the human mind and abnormal medical conditions. It is packed with gore and Madison’s resurfacing childhood trauma. 

Wan’s film also boasts a large ensemble with significant character building. The main scream queen, Madison, can be a sometimes-irritating lead, but Wallis’ performance is carefully thought out and executed. Detective Regina Moss, played by Michole Briana White, provides comic relief throughout the movie. Her sharp and witty remarks are a perfect addition to a film primarily taken up with violence and paranoia. 

However, “Malignant” does struggle with pacing. Like Wan’s other productions, “Malignant” clocks in at about two hours, but it isn’t as triumphant with its tempo. It is composed of electronic, pulsating music that matches its modern setting perfectly while paired with edgy shots of urbanism. But the majority of the film is dedicated to the buildup, with the ending feeling rushed. Wan’s other works have endings that either tie up into satisfying conclusions or leave the audience anticipating the sequel, but this isn’t the case for his newest flick. With “Malignant,” it’s unclear whether or not Wan plans on making a sequel, but the ending leaves the door open to the possibility.

Pacing aside, “Malignant” is an electric, mind-boggling and ghastly addition to horror and Wan’s repertoire. It’ll have viewers watching the credits roll wondering what the heck they just watched. This new side of James Wan is intriguing, and we can only hope to see more in the future. 

“Malignant” will be available for digital purchase on Oct. 22 and will be released on DVD/Blu-ray on Nov. 30.

Edited by Elise Mulligan | emulligan@themaneater.com