Buskers Last Stand marks the end of the 2025 True/False Film Fest
Chase Pray, Editor-in-Chief
• March 4, 2025
REVIEW: ‘Abo Zaabal 89’ depicts intergenerational wounds left by political instability
Maya Bensaoud, DEI Chair
• March 4, 2025
REVIEW: ‘Deaf President Now!’ is an important piece of disabled rights history
Ava McCluer, MOVE Digital Editor
• March 4, 2025
REVIEW: ‘Predators’ takes the idea of vigilantism and explores why ‘To Catch a Predator’ is so attention-grabbing
Suzie Thomson, MOVE Reporter
• March 4, 2025
REVIEW: ‘Requiem for a Tribe’ acts as a breathtaking reflection on one Iranian woman’s impossible inescapable uncertainty
Alex Gribb, Managing Editor
• March 4, 2025
REVIEW: ‘Sally’ paints an intimate portrait of an American pioneer
Faith Jacoby, Assistant MOVE Editor
• March 3, 2025
REVIEW: ‘The Dating Game’ is a lighthearted yet introspective reflection on love and human connection
Sabrina Pan, MOVE Mag Director
• March 2, 2025
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