
REVIEW: Netflix TV series “Boots” is a must-watch military drama
McKenzie Schweitzer, MOVE Reporter
• October 15, 2025

REVIEW: “Tron: Ares” has no substance, but is a charming watch
Bela Parrett, MOVE Reporter
• October 15, 2025

REVIEW: ‘Haunted Hotel’ is a quick, witty Halloween watch
Noah Elletson and Isa Kennedy
• October 8, 2025

REVIEW: Paul Thomas Anderson’s ‘One Battle After Another’ hits all its targets
Bela Parrett, MOVE Reporter
• October 8, 2025

REVIEW: “The Life of a Showgirl” is vivacious, fresh and timely
Makenzie Bounds, MOVE Reporter
• October 5, 2025

REVIEW: “Vie” delivers a faithful and personalized take on ‘80s synth funk
Akiram White, MOVE Reporter
• October 2, 2025

REVIEW: Justin Tipping tries so hard to make “Him” a Jordan Peele movie
Deacon Lipsmeyer, MOVE Reporter
• October 1, 2025

“What the Constitution Means to Me” brings women’s rights to the forefront of Mizzou’s stage
Makenzie Bounds, MOVE Reporter
• October 1, 2025

REVIEW: Nostalgic storytelling makes Big Thief’s ‘Double Infinity’ memorable
Bela Parrett, MOVE Reporter
• September 15, 2025

Twenty One Pilots’ ‘Breach’ rewrites what it means to grow up
Mikalah Owens, MOVE Digital Editor
• September 12, 2025

REVIEW: Manchildren beware: ‘Man’s Best Friend’ is for Nobody’s Son
Isabel Brauhn, MOVE Reporter & Graphic Designer
• September 10, 2025

Sombr’s ‘I Barely Know Her’ is a lyrical genius-mix of angst and intense emotions
Amory Moore, MOVE Reporter
• August 31, 2025
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October 19
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Patchy rain nearby
October 20
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