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Bela Parrett, MOVE Reporter
• September 15, 2025

Twenty One Pilots’ ‘Breach’ rewrites what it means to grow up
Mikalah Owens, MOVE Editor
• September 12, 2025

REVIEW: Manchildren beware: ‘Man’s Best Friend’ is for Nobody’s Son
Isabel Brauhn, MOVE Reporter
• September 10, 2025

Sombr’s ‘I Barely Know Her’ is a lyrical genius-mix of angst and intense emotions
Amory Moore, MOVE Reporter
• August 31, 2025

REVIEW: ‘Forever Is a Feeling’ by Lucy Dacus: A product of generous attention
Rachel Mackey, MOVE Reporter
• May 20, 2025

Eat your heart out: “Yellowjackets” Season 3 is messy, yet enjoyable
Rachel Mackey, MOVE Reporter
• May 15, 2025

Re-examining the legacy of ‘Revenge of the Sith,’ 20 years later
Faith Jacoby, Assistant MOVE Editor
• May 4, 2025

The making of a victor: ‘Sunrise on The Reaping’ and Haymitch’s brutal origin story
Maya Bensaoud, MOVE Reporter
• April 25, 2025

REVIEW: ‘Maybe Happy Ending’ combines jazz, pop and musical theatre in the perfect Broadway cast recording
Jack Andersen, Assistant Graphics Editor
• April 16, 2025

‘One Of Them Days’ brings Black Hollywood back to life
Chace Missouri
• March 20, 2025
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