The Student Newspaper of the University of Missouri

The Maneater
The Student Newspaper of the University of Missouri

The Maneater
The Student Newspaper of the University of Missouri

The Maneater
As The Tide Comes In 4 (1)

REVIEW: ‘As the Tide Comes In:’ Impotence in the face of catastrophe

Sterling Sewell • March 2, 2024
Mandø is an island off the coast of Denmark — population 28.
Tfsummaryweb

Global conflict and individual perspective intertwine at upcoming True/False Film Fest

Boo May and Aurora Nicol • February 29, 2024
It's no secret that conflict drives the media we consume.
A man with a guitar laughs on stage.

The Mountain Goats bring energy and folk to The Blue Note

Logan Gee • February 27, 2024
The Mountain Goats brought a colorful performance to The Blue Note, as MU students and other concertgoers alike gathered to watch and sing along. 
Zone Of Interest Project 01

REVIEW: ‘The Zone of Interest’ presents the horrors of Auschwitz from behind its walls

Ava McCluer • February 21, 2024
Do not be fooled by the label of historical drama; “The Zone of Interest” is undoubtedly a horror movie.
A picture of Priscilla and Elvis at their wedding is shown. The image is in black and white, and it is distorted. The only part of the image that is in color is Priscilla. Her heavy eye makeup, bright pink lipstick, and big wedding dress and veil are the main subject of the picture.

REVIEW: Revisiting Graceland

Aurora Nicol & Faith Jacoby • February 16, 2024
After the release of the 2022 Warner Bros. film “Elvis,” starring Austin Butler as Elvis Presley, nicknamed “The King of Rock-and-Roll,” the adoration and criticism of one of America’s most influential figures of the 20th century has followed close behind. 
Holdovers Review

REVIEW: “The Holdovers” is a new kind of holiday classic

Matthew Gerber • February 13, 2024
What makes a movie a Christmas classic? 

The Biggest Takeaways of the 2024 Oscar Nominations

Alyssa Royston and Ava McCluer • February 8, 2024
In a live presentation, actors Zazie Beetz and Jack Quaid announced the 2024 Oscar nominees on Jan. 23.

REVIEW: The Columbia Experimental Music Festival celebrated its last day with four phenomenal performances

Boo May • February 7, 2024
The Columbia Experimental Festival took place Nov. 2 through Nov. 5 and was organized by Dismal Niche Arts, a non-profit organization and record label dedicated to “offering local residents rare opportunities to experience world class presentations of innovative and non-conventional music, art and performances.” 

 REVIEW: Columbia Experimental Music Festival Night Three

Dylan Barbee • February 7, 2024
The Columbia Experimental Festival took place Nov. 2 through Nov. 5 and was organized by Dismal Niche Arts, a non-profit organization and record label dedicated to “offering local residents rare opportunities to experience world class presentations of innovative and non-conventional music, art and performances.” 

REVIEW: Night two of Columbia Experimental Music Fest ends in disappointment

Jae Green • February 7, 2024
The Columbia Experimental Festival took place Nov. 2 through Nov. 5 and was organized by Dismal Niche Arts, a non-profit organization and record label dedicated to “offering local residents rare opportunities to experience world class presentations of innovative and non-conventional music, art and performances.” 

REVIEW: Emerald Fennell’s ‘Saltburn’ is an ambitious directorial leap

Ava McCluer • January 17, 2024
Disturbing, erotic and Oscarworthy: expect the unexpected with “Saltburn”
Hotpotatodoc

REVIEW: “Hot Potato: The Story of the Wiggles” returns viewers to long-lost parts of childhood 

Boo May • December 12, 2023
When Kid Laroi brought the Wiggles out on stage for his Australian tour in June 2022, the crowd sang every word. Laroi and the band had never collaborated on any music.
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