The Student Newspaper of the University of Missouri

The Maneater
The Student Newspaper of the University of Missouri

The Maneater
The Student Newspaper of the University of Missouri

The Maneater
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Beyond Jefferson: Underappreciated sculptures are everywhere at MU

Sam Peterson • April 4, 2023
The small sculpture patio north of the Fine Arts Building, which calls little attention to itself, is an entry point into an extensive ecosystem of art at MU.
A Moment Of Innocence

REVIEW: Mohsen Makhmalbaf’s ‘A Moment of Innocence’ showcases the director’s complex history

Ethan Davis • March 22, 2023
With the film’s adults portrayed as static and young actors used as symbols of change, Mohnsen Makmabalf’s “A Moment of Innocence” presents the director’s attempts to make amends with people from his past.
Endlesssummervacayreview

REVIEW: “Endless Summer Vacation” is nothing revolutionary, but a fun listen nevertheless 

Maya Anand • March 17, 2023
If there’s one thing we know about Miley Cyrus, it’s to expect the unexpected, and her latest album was no exception.

The ambiguity of Dervis Zaim’s ‘Tavuri’ challenges the relationship between crime and conviction

Amber Roldan • March 17, 2023
Dan Zaim’s film “Tavuri” questions the role of crime and conviction in infamous scammer Mustafa Serttas’ life. 
Forms Of Forgetting

REVIEW: ‘Forms of Forgetting’ explores what our memories are really worth

Maya Anand • March 13, 2023
“Forms of Forgetting” by director Burak Çevik provides an artistic depiction of the bittersweetness of memory and forgetting.
Anhell69

REVIEW: ‘Anhell 69’ drives the audience through life, loving and death in Colombia’s queer community 

Ben Miles • March 12, 2023

Shown at True/False Film Fest, Montoya’s immensely personal examines the prolonged death of his friend group. Content Warning: This review discusses the film’s coverage of suicide among...

Time Bomb Y2k

REVIEW: Archival-footage documentary ‘Time Bomb Y2K’ takes audiences through the late 90s

Matthew Gerber • March 12, 2023
The film, directed by Brian Becker and Marley McDonald, tells the story of Y2K panic as it evolved into a telling portrait of the future of America.
Mafifa

REVIEW: ‘Mafifa’ lets audiences see Conga through the director’s eyes and ears

Kennedy Thomas • March 12, 2023
The film by Daniela Munoz Barroso searches to find the hidden history of “Mafifa” and the less hidden Conga all while Mafifa’s memory and Barroso’s hearing fade away.
20230303 Sramesh Campfirestories 2

‘Campfire Stories’ offers a sneak peek into the experiences of True/False artists and their work 

Audrey Norquest • March 12, 2023
The prompt of the program was “experimentation,” allowing the diverse panel of filmmakers, artists and storytellers a chance to swap stories in which they’ve had to do some trial and error.
Red Herring

REVIEW: Kit Vincent leaves a beautiful legacy behind with film ‘Red Herring’

Emma Zawacki • March 9, 2023
Kit Vincent’s debut film made its world premiere at this year’s True/False Film Fest and invited audiences to laugh, cry and grieve with those closest to him
It Runs In The Family

REVIEW: ‘It Runs in the Family’ digs into a family’s ‘black sheep’

Cristal Sanchez • March 9, 2023
Director Victoria Linares Villegas uncovers her outcast cousin’s past, exploring sexual identity and exposing political oppression along the way. 
Ramona

REVIEW: ‘Ramona’ explores the life and perspective of pregnant teens in the Dominican Republic

Bishop Lamm • March 8, 2023
Directed by Victoria Linares Villegas, the film blurred the boundaries of storytelling in its radical pursuit of the truth behind the limitations of film.
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