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The Student Newspaper of the University of Missouri

The Maneater
The Maneater has launched a new website! Click here to provide feedback.
The Student Newspaper of the University of Missouri

The Maneater
The Maneater has a new website! Provide feedback here.
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Eastside Tavern’s ‘Happy Hour’ showcased musical talent from a collection of artists

Chase Pray, Assistant News Editor • March 1, 2025

On Friday evening and day two of the True/False Film Fest, Eastside Tavern hosted a ‘Happy Hour’ from 6-8 p.m. The event had free, live music performances from various artists. The night started with...

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REVIEW: ‘Middletown’ is an homage to environmental advocacy and student journalism

Sydney Rohrberg • March 1, 2025
The film highlights the strengths of student journalists in the face of corruption and the work it takes to improve the environment
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‘Resurrection’: How Hu Sanshou uncovered the lives of his hometown’s past and future

Alex Cook • March 1, 2025
The True/False Film Fest 2025 True Vision Award Winner Hu Sanshou premiered his new documentary film on Friday
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REVIEW: ‘Land With No Rider,’ filled with artistry and affection, premieres at True/False Film Fest

Amelia Schaefer • March 1, 2025
Director Tamar Lando’s “Land With No Rider” speaks volumes through shots of vast landscapes and character studies of old ranchers
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REVIEW: ‘Light Memories’ explores a photographer’s discovery of who his grandfather was

Suzie Thomson • February 28, 2025
Through the lens of his grandfather’s camera, Misha Vallejo Prut explores a side of his family he’s never known
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Left Field Jazz Series continues with Shabaka Hutchings’ confusingly dazzling show

Alex Gribb • February 28, 2025

Meditative flutes and Charles Overton’s hypnotic harp flowed through Shabaka’s True/False Film Fest performance on Thursday, in the latest show in the Left Field Jazz series Avant-garde...

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REVIEW: True/False Film Fest’s ‘Shorts: Spring’ showcases stories of love and resilience

Macy Craig • February 28, 2025
True/False Film Fest’s first collection of short documentaries, “Shorts: Spring,” showcases four stories of periods of change and remarkable resilience
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REVIEW: ‘Valentina and the MUOSters’ depicts an Italian family set against an American military installation

Ned Pickett • February 28, 2025
Director Francesca Scalisi’s documentary examines the nature of family life, with the backdrop of societal tension
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REVIEW: ‘Kouté Vwa’ unveils the meanings of grief and the hope that follows

Emily Skidmore • February 28, 2025
True/False Film “Kouté Vwa” unravels a world of healing
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Unmasking the fest: The Jubilee Gala kicks off True/False weekend

Liv Martin • February 28, 2025
As True/False Film Fest begins, filmmakers and guests alike gather to enjoy a night of mingling and merriment
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REVIEW: ‘A Body To Live In’: How self-discovery, polaroids and piercings produced one of the most polarizing forms of community

Chace Missouri • February 28, 2025
Director Angelo Madsen tells the story of Fakir Musafar and his influence behind the primitive movement and the LGBTQ+ body-modification community
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REVIEW: ‘River of Grass’ is a reflective look at the conservation efforts of the Everglades

Hannah McDonough • February 28, 2025
The film was directed by Sasha Wortzel and premiered at True/False Film Fest on Feb. 27
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